Anthology #13: The Finest Science Fiction Films

Attempting to condense a cinematic genre that has been around from the very beginning of cinema and that also has thematic tentacles that stretch to other forms of media, with which it has been fed back by way of stories, creatures, and ideas, into a small number of films is a difficult task. For instance, the science-fiction film of the 1950s, which had themes like as paranoia and invasions from Mars, would be inconceivable if it were not for the genre literature that was published at the same time.

A task that is condemned to failure and guaranteed to result in absences is the task of selecting twenty science-fiction films from which to choose. To begin with, it is not even simple to establish the boundaries of the genre you are studying. We see it this way: science fiction is that subgenre of fantasy film in which, inside the framework of the narrative, there is a scientific rationale for the events that take place. Because certain movies have a very loose concept of verisimilitude, it is essential to keep in mind the “logic of the story” when watching them.

For instance, there are some who are mortified by the idea of ‘Star Wars’ being considered science fiction, given that the events that take place have no scientific basis for their explanation. But in that universe, there is technology that makes it possible to construct satellites that destroy worlds; that satellite was not constructed by the use of magic, but rather with the application of science. The fact that ‘Star Wars’ draws on the codes of the pulp genre and space opera (vast warring groups, interplanetary travel, spacecraft, aliens) is something that we must add to the list before we conclude. These are definitions that are up to debate, but this particular definition is ours, and it is the one that we are going to employ here.

To a similar extent, there are some who may argue that “Alien” or “The Thing” are, in fact, horror films, and they are correct in their assertions. On the other hand, this would be analogous to claiming that “Back to the Future” is a sitcom, “Mad Max” is an action movie, and “Children of Men” is a social show. Labels are merely labels that are designed to make things and discussions simpler for us. The compartments of the genres are not completely impenetrable, contamination is possible (and desirable), and they are not waterproof.

Continue to go with the flow. The list that follows does not contain a single “perfect” film; rather, we have chosen to prioritize variety and cover all aspects of the genre, ranging from space warfare to social satire. The following is a list of the 23 best science-fiction films.

This miracle by Fritz Lang is still enormous today due to the audaciousness of its conceptions, the political message it conveys, and the technological displays it features. It is the first film to be considered a complete classic of the genre, and it has been unrivaled for many years. A few of its visual aspects, such as the robotic Maria or the machinery on which the men labor, wonderfully symbolize the genre in those naive times. They also perfectly symbolise the bravery of the genre’s original visionaries, who were inventing a technique of narrating on the fly. Unquestionably deserving of the title of absolute classic and the highest point of the medium in any genre.

If you enjoyed this, you might also enjoy: If you want to trace the origins of silent science fiction, you need to go to Meliès and his pioneering short films in special effects, such as “A Trip to the Moon.” Although silent science fiction is not as prevalent as other genres, it is nevertheless important to visit Meliès.

When it came to choose a movie from the huge science-fiction landscape of the 1950s, we would go with this version of Shakespeare’s “The Tempest,” which is a sui generis film. An excellent illustration of how the genre film industry of the time had developed to the point that it could provide us with features that ranged from the most superficial and stupid (Robby the robot, Anne Francis’ clothes, Leslie Nielsen!) to components that were far more complex, such as the fantastic setting and effects or the wonderful creatures. These are the elements that have contributed to the film’s status as a classic, surpassing other works with a comparable storyline, such as “Solaris,” but at the same time ensuring that it never loses sight of its fundamental promise as a picture about a galactic adventure with wacky technology.

If you enjoyed this, you might also enjoy: Science fiction from the 1950s is limitless, despite the fact that its ambition and resources frequently do not have the same magnitude as ‘Forbidden Planet’. Some of the many classics that it has produced include “Invasion of the Body Snatchers,” “Invaders from Mars,” “This Island Earth,” “The Day the Earth Stood Still,” and “The Incredible Shrinking Man,” amongst many others.

A number of people consider it to be the best science fiction movie ever made, and it is without a doubt one of the most ambitious and creatively perfect films of all time. Additionally, and in spite of the fact that it is known for being difficult to understand and excessively academic, it is one of the most imitated and influential. With his well-known ellipsis that connects primitive animal fury and human intellect conquering space, Kubrick was able to complete an essential piece for comprehending the genre. He embellished it with the plot of an on-board computer that decides to impose its will on humans, which is a plot that we continue to see repeated over and over again today, and he provided special effects that are just as perfect today as they were when they were first released.

Anthology #13: The Finest Science Fiction Films

By triji

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