This fascinating free documentary investigates

It is not possible for a dictatorship such as that of North Korea to survive without guilt; the mass media have a portion of the blame.

In spite of the fact that North Korea has been experiencing a multitude of economic challenges ever since the 1950s, and despite the fact that it has been unable to establish a genuine international economic empire like its neighbor has, it has been able to produce its very own mass phenomenon. The entire situation occurred within the framework of the system that was in place in that country, which was greatly impacted by the obscurantism, propaganda, and secrecy that are typical of dictatorships.

In addition, if you have only been able to catch glimpses of the entertainment snippets produced by the regime, this five-hour documentary is a fascinating dive into all kinds of entertainment for North Koreans. It includes movies, television series, animation, live and broadcast variety shows, music ranging from traditional to underground folklore, crazy video games, and a great deal more. “Entertainment Made By North Korea” is the film’s title, and it may be accessed without cost on YouTube.

When North Korea was still a zone occupied by the Japanese and was not split, this well-documented piece begins its vision before North Korea arose. At that time, the zone was not divided. These were years of cinema that was extremely nationalistic and propagandistic. It was produced in both half of Korea, but it was notably emphasized in the North, with Kim Il Sung demanding that a cult of personality be established.

But it is during the seventies and eighties that the most fascinating products come into existence. This is because, without losing their propagandistic spirit, we find series and films, many of which are aimed at children, that have a certainly remarkable technical finish and where the message of praise to the Beloved Leader is much more concealed. In point of fact, this review is worth reading simply because it examines the fascinating history of Kim Jong Il’s relationship with cinema, which has occasionally been associated with criminal undertones.

South Korea’s economic prosperity blossomed over the latter half of the twentieth century, and in the first few decades of the twenty-first century, the country has emerged as a cultural superpower on a worldwide scale. It is not possible to say the same thing for North Korea: after a relatively prosperous beginning in the 1950s and 1960s, the country’s economy began to falter, and in the middle of the 1990s, when it was experiencing famine, it almost completely collapsed. Because of this and other factors, the nation has never been in a position to produce its very own version of BTS, Squid Game, Parasite, or “Gangnam Style.” But regardless of the challenges that have been faced at home, the Democratic People’s Republic of Korea has always been able to produce entertainment for its own people to enjoy. This includes films, animation, television series, music, and a variety of other forms of entertainment.

Nevertheless, the term “entertainment” might be a bit of an overstatement. A few years ago, while I was in Seoul, where I currently reside, I had the opportunity to witness a movie that was released not too long ago. The title of the film is “The Story of Our Home,” and it was titled “The Story of Our Home.” Despite what I remember as occasional abrupt lapses into flat propaganda views, harsh national hymn, flying red-starred flag, and everything else, it delivered its straightforward story of a family of orphans attempting to survive on their own with a surprising level of technical ability. At least, in comparison to what I had anticipated. In the new five-and-a-half-hour analysis that YouTuber Paper Will has uploaded to his channel, titled “Entertainment Made By North Korea,” he explains that this kind of activity is nothing out of the ordinary.

Beginning before there was a North Korea, the video begins by discussing the films that were produced on the Korean peninsula that was colonized by Japan between the years 1910 and the end of the Second World War. This is done in order to provide an accurate representation of North Korean entertainment. Despite the fact that the colonial rule in Korea was finally terminated by the ejection of the defeated Japan, the newly divided country would continue to face a great deal of additional difficulties. The leaders of both the emerging North and South Korea grasped the power of cinema to affect the attitudes and views of their respective populations, even while they were still in the process of creating their respective countries. When viewed the way they are today, these photographs show a great lot about the priorities of the governments. With regard to the Democratic People’s Republic of Korea (DPRK), these goals were the promotion of unrelenting labor and loyalty to the state, which was exemplified by the DPRK’s founder, Kim Il Sung.

Serial dramas and children’s cartoons, some of which were produced with great brilliance and attractiveness, discouraged individualistic views, compassion for foreigners, and thoughts of defection. This occurred later, in the seventies and eighties, when there was a variety of both the medium and the message. North Korean films became more watchable during the reign of Kim Jong Il, who was a movie enthusiast. This was largely due to Kim Jong Il’s kidnapping and forcible employment of Shin Sang-ok, a director from South Korea for the North Korean government. The country’s popular culture has flirted with the very outside edges of cool under the leadership of his son Kim Jong Un, collecting artists such as Moranbong, a lady group that plays instruments. Nevertheless, in North Korea, entertainment continues to be used as a primary means of enforcing the preferred ideology of the ruling class. This is something that, if one were to think about it, would never be possible in the West.

This fascinating free documentary investigates

It is not possible for a dictatorship such as that of North Korea to survive without guilt; the mass media have a portion of the blame.

By triji

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