Thu. Jul 25th, 2024

A Dictionary of Telephile Terms: Syndication

By triji Jun 7, 2024

The nature of the American television landscape, which includes huge free-to-air networks (networks), tiny local networks linked with these large networks, and channels that transmit on cable, results in less prevalent methods of airing shows in nations that are smaller in size. in addition to having a television structure that is less complicated. Syndication is one of these strategies, and it is a term that is frequently spoken in American television gossip mills. It is a term that is heard frequently whenever networks and studios begin to negotiate the renewals of programs that are already going into their fourth or fifth season. which is specifically where the money is located.

During these months, while the networks are beginning to arrange their schedules for the upcoming fall season, they will be making decisions regarding which series they will continue to air, which series they will cancel, and which pilots they have ordered will continue to be developed into series. The term “syndication” will be spoken multiple times during this time period. because some studios may be more receptive to decreasing the price per episode that they seek of the networks if they know that they are going to sell the repetition rights to a tiny channel, while discussing the talks to decide the future of certain shows (such as “Community“) some studios may be more willing to drop the price per episode that they ask of the networks. mainly due to the fact that, in the end, syndication is nothing more than a replay of a series on a network that is different from the one for which it was initially broadcast. Perhaps not quite so.

Through the use of syndication, local channels were able to acquire fiction programming or discussion shows that they were unable to generate themselves. This was accomplished by purchasing the rights to, for instance, already successful series that were broadcast on their original networks. This allowed them to incorporate these series into their lineup, so expanding their programming offerings. To be more specific, the description that is provided by the Association of Syndicated Television Networks is “a method of bringing programming to local television networks at the national level.”

The rebroadcasting of series that have already been broadcast on the networks is the most well-known method of distribution. Taking into consideration the fact that these programs are broadcast on a daily basis in syndication, it is customarily anticipated that they will consist of a certain number of chapters. This is done to ensure that their syndicated broadcast does not contain an excessive amount of repetitions. The syndication agreement is typically not completed until the rounder figure of 100 episodes is attained, which many programs reach in the fifth season. The minimum number of episodes required is 88, but the most usual occurrence is that the agreement is not signed until the rounder figure is reached. There are, without a doubt, always going to be exceptions to this rule. The syndication rights to the television show “Bones” were purchased by TNT in 2008, when the show had just completed its third season.

Due to the fact that syndication encompasses not only local networks, such as the NBC affiliate in New York or the CBS station in Toledo (Ohio), but also basic cable channels, it is important to note that syndication is not limited to them. It is not possible to include all of these in the weekly timetable because each of them has its own unique narrative.

On TNT, for instance, they also broadcast “Charmed,” “The Mentalist,” or “Angel.” In the United States, there is “CSI,” and on AMC, there is “CSI: Miami.” We could go on and on about the show’s other offerings. In the case of experienced and expensive series, such as the two that are now airing on CBS, having a rich syndication arrangement can save the series from being canceled.

In general, sitcoms have an easier difficulty attaining this second life outside of the networks. This is due to the fact that their repeats tend to perform better than those of dramas, and many times they continue to be among the most watched. One example of this is the television show “The Big Bang Theory” that airs on TBS. Although there are stations like TV Land whose programming is almost entirely comprised of rebroadcasts of shows that are frequently already a few years old, there are also programs that are not considered to be “second-hand” in the realm of syndication.

There are many instances in which shows are produced specifically for the purpose of syndication because it is more cost-effective to do so than if they were geared toward the networks. A significant number of daytime talk shows, such as “Ellen” and “LIVE with Kelly,” as well as game shows, such as the American version of “Wheel of Fortune,” are produced in this manner.

And it is not at all rare for series to be developed that are broadcast first in syndication, series that, if it were not for syndication, perhaps would have never seen the light of day. Additionally, this phenomenon has been going on for several decades now.

” The Legend of the Searcher ” is one of the most recent examples, and it also adheres to the tradition of the series produced by Sam Raimi’s production business, such as ” Xena, Warrior Princess “, in which the protagonist is born in this manner. Some science fiction masterpieces, such as “Star Trek: The Next Generation” and “Babylon 5,” were made specifically for syndicated transmission, while others had a revival in this market that was nearly unanticipated. As an illustration, the television show ” Baywatch” made its premiere on NBC in 1989, but it was canceled within its first season. Subsequently, the show was brought back and produced specifically for syndication.

Since the introduction of video streaming services such as Hulu, which purchased the syndication rights to the show ‘Community’ in December of last year, this entire landscape is beginning to undergo a radical transformation. This gateway to web rebroadcasts is a possibility to make money from shows that have low audiences on the networks and that virtually perpetually find themselves on the verge of being canceled.

The syndication of ’30 Rock’ on Comedy Central, for instance, may be an argument that leans its future more toward renewal than cancellation. Additionally, the entry of Hulu and video-on-demand services in purchasing syndication rights opens up more of the television landscape, and it is logically expected that it will change little by little.–6662d71124f8b#goto7764!-by-vascolex-capsule

By triji

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