New Netflix audience bombshell debuts in fantasy with 35 million views in first days.

Compared to the following movie on the list, this fairy tale that is turned upside down has a significant advantage.

Damsel, the new exclusive film that is available on Netflix and stars Millie Bobby Brown, who is well known for her role as Eleven in the television series “Stranger Things” and for her position as the star of the television show “Enola Holmes,” has achieved at least 35.3 million views. With the premiere taking place on Friday, the only audience that has been counted is the viewership for its first weekend, which also includes nearly 65 million hours of viewing.

With a cast of female actors that also includes Angela Bassett and Robin Wright, the movie has made its debut at number one in 79 countries and has hit the top 10 in another 93 nations. The science fiction sequel titled “Code 8: Renegades (Part II),” which was created by Robbie and Stephen Amell, has received slightly less than 12 million views in this, its second week on the platform. This causes it to fall behind in terms of popularity.

In this video, we will meet a damsel who agrees to marry a lovely prince, which is a unique inversion of the traditional fairy tales that we are familiar with. Everything is going according to plan for her until she finds out that the most important thing that her boyfriend’s family wants from her is to sacrifice her in order to pay off an ancient debt that her family has. For this reason, she is put into a cave with a dragon that shoots fire. However, what she does not count on is that she has an unyielding will to survive, which is something that she does not count on anyone else.

It is a refreshing alternative that will come up against the usual complaints, and its greatest virtue, without a doubt, is its shamelessness and its lack of subtlety when proposing a change in the usual roles. This perversion of the usual codes in fantasy narrative is directed by the Spanish Juan Carlos Fresnadillo (‘Intacto’, ’28 Weeks Later’), and it involves a perversion of the usual codes in fantasy narrative. However, it is a picture that will notably sting those who only understand the language of the pirouette and the trumpet. Although it is not a serious and sensitive revolution, it is a film that is refreshing.

Netflix has published more information on what people are watching than any other streaming service, with the exception of YouTube, ever since the company began maintaining weekly rankings of the Top 10 and Most Popular titles in 2021. Now, we are of the opinion that it is time to proceed further.

What We Watched: A Netflix Engagement Report will come out twice a year, beginning today, and will be published by our company. This is an exhaustive report that details what individuals watched on Netflix over the course of a period of six months1, including the following:

total number of hours watched for each and every title, both licensed and original, totaling more than 50,000 hours2; The date on which any Netflix television series or film will make its debut; and If a particular title was accessible all over the world.

This analysis covers a total of more than 18,000 titles, which accounts for 99% of all viewing on Netflix, and approximately 100 billion hours of viewing time.

Our weekly Top 10 lists featured more than sixty percent of the titles that were published on Netflix between the months of January and June 2023. In spite of the fact that this study covers a wider range of topics, the trends that are represented in it are strikingly similar to those that are included in the Top 10 lists.

The strength of returning favorites such as Ginny & Georgia, Alice in Borderland, The Marked Heart, Outer Banks, You, Queen Charlotte: A Bridgerton Story, and XO Kitty, as well as the strength of film sequels such as Murder Mystery 2 and Extraction 2;

The enormous success of new television shows such as The Night Agent, The Diplomat, Beef, The Glory, Alpha Males, FUBAR, and Fake Profile, which appeal to a large number of viewers and have devoted fan bases;

The amount of the audience that our films have attracted across all genres, such as The Mother, Luther: The Fallen Sun, You People, AKA, ¡Que viva México!, and Hunger;

The passion for stories that were not told in English, which accounted for thirty percent of all viewers;

The ability of titles on Netflix to remain popular for a significant amount of time after their initial releases. For instance, All Quiet on the Western Front made its début in October 2022 and managed to garner 80 million hours of viewing time between January and June of that same year; and

The demand for older titles that have been licensed, which results in a significant amount of value being generated for both our members and the rights holders. When reading the report, it is essential to keep the following in mind:

There are many other ways to achieve success on Netflix, and the number of hours watched is not the only factor that matters. We have movies and television shows that have reached great levels of success, with both lower and higher hours viewed. The question that matters the most is whether or whether a film or television show was able to captivate its audience, as well as the size of that audience in relation to the economics of the title; and

Our weekly Top 10 and Most Popular lists, which take into consideration run times and premiere dates, are the greatest way to evaluate different titles due to the fact that they are updated on a weekly basis.

This is a significant advance for Netflix as well as for our industry as a whole. The information on viewing that is included in this report, in conjunction with our weekly Top 10 and Most Popular lists, will, in our opinion, provide creators and our industry with a more profound understanding of our audiences and the things that resonate with them.

Click here to get the report. Check out the video that we took during our chat with the reporters below.

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