For over 70 years, clowns have secured their art this way.

“It was a hobby, but the shells became a unique record of each artist,” according to their explanation.

The situation that clowns find themselves in when it comes to copyright is a tricky one: there is nothing more vital for an artist than protecting their creations, yet there is nothing more monotonous and “anti-comic” than a tiresome property registration. A good handful of decades ago, the group was equipped with a distinctive system that protects the most valuable asset that a clown may have, which is the design of the makeup that they use to adorn their face. This was done in order to prevent the group from giving up the first without falling into the second.

Instead of relying on patents, notarial records, or official records, the clowns have decided to record their works by painting them directly on chicken egg shells using brushes and a significant amount of care. Additionally, they have opted to save their creations.

They have even established their very own gallery because the end result is so amazing. An odd pastime to pursue. That of Stan Bult, a chemist who was also a devotee of circus clowns and was one of the founders of Clowns International, the era in question, among other things. In his spare time, Bult devoted himself to the task of producing portraits of the clowns that were members of the professional association that he had been instrumental in establishing.

He did this by using paint, water, and brushes. There has been nothing out of the ordinary so far. It is interesting to note that Bult did not record his artwork on canvas, paper, or wooden tablets. In an environment that was just as startling as his models, he replicated those features where the eyes were swollen, the lips were full, and the noses were bulbous.

Something that goes beyond simple portraits. The number of clown faces in Bult’s collection increased over the course of his life, reaching approximately 200 eggs by the time he passed away in 1966. It is thought that Bult had accumulated over 200 eggs by the time he passed away. That gallery of ovoid pictures, on the other hand, was more than just a collection of strange portraits and vivid hues. During the course of his collection of modern publications, it evolved into “an archive of faces so that clowns can avoid copying each other.”

“Eggshells were initially a hobby, but over time they evolved into a one-of-a-kind record of each artist who became a member of the group. Because each individual’s face is unique, the eggs now serve as a record of the artist’s specific cosmetics design, which is protected by copyright. Mr. Matthew Faint, a professional clown who also serves as the head of the egg repository, provided an explanation to the Financial Times in the year 2013.

An incredible tale to tell. Even though Stand’s collection was unexpected, it still ended up being disorganized and partially lost despite the fact that it was startling. It is said that at least some of her lovely ovoid portraits made their way into a restaurant in London after she passed away in 1966. Those who claim that they were acquired by a private collection and that the majority of those delicate and handcrafted pieces vanished are among those who have made this assertion.

It has been confirmed by the BBC network that Clowns International was successful in recovering forty of the original two hundred pieces in the year 2017. The gallery in the Clown’s Gallery-Museum in London would feature 24 original portraits and another 43 reproductions of broken eggs, according to some people, such as Smithsonian Magazine. Other people believe that even fewer are saved.

After Bult’s passing, the common practice of painting eggs with clown faces did not fare much better than it had before. “It almost disappeared, but resurfaced again in 1979 using ceramic eggs, which are much more robust,” Faint writes in his article.

Egg-shaped pictures have been retrieved since then, and with a new impulse at the end of the 1980s, as a method to commemorate the members of Clowns International and leave an incontrovertible record of the one-of-a-kind and unrepeatable design of their personalities. This was done in order to pay tribute to the members of Clowns International.

It is a custom to flaunt everything. Clowns International, an organization that was founded in 1946 by Bult and has been gaining a reputation for itself for several decades thanks to its distinctive record of portraiture, is responsible for carrying out this activity.

As a result of the enormity of the collection, the group made the decision to split it between the Somerset Museum and the Clown’s Church, both of which are located in the United Kingdom. The egg pictures, on the other hand, are much more than just a historic practice that is kept alive to astound visitors. In the 21st century, the organization continues to maintain it alive and provides its members with the opportunity to leave that particular sample of their DNA, which serves as their excellent business card.

It is clarified by Clowns International that membership provides the opportunity to order a set of your character’s eggs, one for the Clowns International Egg Collection and one for yourself. Clowns International maintains that each piece is “a record of a character’s unique identity.” clown, thereby maintaining the unwritten rule that no clown should copy the appearance of another clown. According to the website of the group, the price of each pair is sixty euros, in addition to the charges of delivery. Considering that one of those photos can involve three days of laborious and precise effort, this is not a bad result.

A group of egg artists. Artists with specialized training have also followed in Bult’s footsteps. Julie Proctor is a professional makeup artist and painter who typically displays in London. Clowns International has Julie Proctor on its website.

There have been additional names of creators who have dedicated themselves to stamping faces with large eyes and enormous noses on eggs over the course of the past few years. Some of these names are Janet Webb, Kate Stone, and Debbie Smith. “When a new member joins Clowns International, he sends photos of his makeup face, as well as a cutout of his wig and the fabric of his costume,” Faint adds before stressing that the job is one of the most laborious aspects of the organization.

In 2017, the collection had already surpassed 200 shell portraits, all of which were of comedy pros with boards. Smith recalls that not all clowns who want their portrait get one, therefore this is why the collection was so large. The doors of Clowns International are only permitted to be opened to well-established entertainers. The screening process is unsuccessful for neophytes.

One of the unspoken rules. Egg registration is a custom that has been going on for more than seven decades and is a source of pride for the group. However, in reality, according to legal experts Dave Fagundes and Aaron Perzanowski, it is a system that is only valid within the group and that “operates outside of the courts and is not applied by lawyers.”

The objective of this is not to inviolably protect a makeup design or a character; rather, it is to rely on the unwritten rule that clowns do not duplicate each other. Even if there is widespread agreement among clowns regarding the significance of not copying each other’s work, Faint does not believe that a formal ownership mechanism is required in order to ensure compliance with this rule. Both experts note that the clowns themselves are responsible for a significant portion of this work inside their own community.

That is a question of prestige. One of the most exciting aspects of becoming a performer is the process of registering your egg. “Faint notes that clowns are not allowed to use the same stage name as another member, and that face makeup is done on an individual basis.” It has never been the case that one individual’s face is identical to another’s. Should there be a significant resemblance, we would assist a member in locating a makeup that is distinctive.

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