Wed. Jul 24th, 2024

The lessons Amanda Miguel learned from her new album “Yo soy”

By triji May 22, 2024

“Yo soy” is the title of Amanda Miguel’s most recent album, and she discussed its contents in an interview with CNN. The singer, who is about to commemorate 45 years of her career, discusses the process of creating the album as well as her upcoming projects.

In the book titled “The Organ: An Encyclopedia,” which was edited by Douglas E. Bush and Richard Kassel, the author, Christian Ahrens, contributed the article “Free Reed.” Routledge Taylor & Francis Group, New York published the book in 2006.Scholarly Google Ads

Kassel, Richard, and Douglas E. Bush are the authors. The Organ: A Comprehensive Reference. Routledge Taylor & Francis Group, New York published the book in 2006.Scholarly Google Ads

This is Carsten Heveling. This is the Bandoneon. Accessed on July 27, 2021, Bandoneon can be found at from the website.Scholarly Google Ads

Akordiyon and Benzeri Armonikaların Tarihsel Gelişimi Üzerine Bir İnceleme is the title of the article written by Rauf Kerimov. 87–101 in the Spring 2018 edition of Porte Akademik.Scholarly Google Ads

Mercedes Krapovickas has written an article titled “Organografía del bandoneón y prácticas musicales: Lógica dispositiva de los teclados del bandoneón rheinische Tonlage 38/33 y la escritura ideográfica.” In the Fall/Winter 2012 issue of Latin American Music Review, pages 157–185.References CrossedScholarly Google Ads

“Concertina,” written by Jeremy Montagu and published in The Oxford Companion to Music, edited by Alison Latham, page 238, page 288. (2002), published by Oxford University Press in New York.Scholarly Google Ads

This is Jeremy Montagu. Latham, Alison, edited The Oxford Companion to Music, which contains the entry “Reed” on page 1038. (2002), published by Oxford University Press in New York.Scholarly Google Ads

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“The Appearance of the Bandoneon in Tango,” article written by Marcelo Solis and titled “History of Tango – Part 5.” Access to the Argentine Tango School was obtained on July 27, 2021.

In 2017, Cañardo, Marina said. Fábricas de músicas was the beginning of the discográfica industry in Argentina between the years 1919 and 1930. There is a Gourmet Musical in Buenos Aires.Scholarly Google Ads

The audiopolitics of a global musical revolution was published in 2015 by Michael Denning under the title Noise Uprising. From New York: Verso.Scholarly Google Ads

The Race of Sound: Listening, Timbre, and Vocality in African American Music is a book written by Nina Sun Eidsheim and published in 2019. Duke University Press, located in Durham.References CrossedScholarly Google Ads

The article “Matrix Listening; or, What and How We Can Learn from Historical Sound Recordings” was written by Morgan James Luker in the year 2022. Page numbers 290-318 in Ethnomusicology, volume 66, number 2.References CrossedScholarly Google Ads

Hernán Possetti’s “The Piano in Tango” was published in 2014. At the National Foundation for the Arts in Buenos Aires.Scholarly Google Ads This is Tito Rivadeneira. 2014 year. Ángel Villoldo, in the beginning of the tango and the various types of tango. Editorial Dunken, published in Buenos Aires.Scholarly Google Ads

2018 edition of Silvers, Michael B. The Politics of Music and the Environment in Northeastern Brazil is the subject of the book “Voices of Drought.” The University of Illinois Press, located in Champaign.Scholarly Google Ads

“The Audible Past: Cultural Origins of Sound Reproduction,” written by Johnathan Sterne and published in 2003. Duke University Press, located in Durham.Scholarly Google Ads The book “Selling Sounds: The Commercial Revolution in American Music” was written by David Suisman in 2009. The Harvard University Press, located in Cambridge.References CrossedScholarly Google Ads

Specifically, Cadícamo, Enrique, and Adolfo Sierra, Luis. In the history of the tango, the Decabana comes into play. Buenos Aires: Corregidor, 1977 was the year.Scholarly Google Ads The article titled “The Tango, Peronism, and Astor Piazzolla during the 1940s and 1950s” was written by María Susana Azzi. Clark, Walter Aaron, edited the book “From Tejano to Tango,” which has pages 25–40. Routledge, New York, 2002. Publisher.Scholarly Google Ads

Specifically, Azzi, María Susana, and Collier, Simon. Astor Piazzolla’s life and music are chronicled in the book “Le Grand Tango.” (2000), published by Oxford University Press in New York.Scholarly Google Ads. The book titled “Estudios sobre la obra de Astor Piazzolla” was edited by Brunelli, García, and Omar. Gourmet Musical released in Buenos Aires in 2008.Scholarly Google Ads

Hello, Natalio Gorin! A memoir written by Astor Piazzolla. Fernando Gonzalez is responsible for his translation, annotation, and expansion. In 2001, Amadeus Press published their work in Portland, Oregon.Scholarly Google Ads

Oscar Himshoot contributed to the article “Salgán – Interview to Horacio Salgán.” is the website. Retrieved on September 24th, 2022. To learn more about Salgan’s interview with Horacio Salgan, visit Google Ads

This is Horacio Salgán. Arreglos for traditional orchestras: a blend of tradition and innovation in music compositions that are original. TangoVia and the National Library of Argentina, Buenos Aires, 2008. Book.Scholarly Google Ads

This is Luis Adolfo Sierra. The romantic tango. Joaquí Mora, Enrique Delfino, Juan Carlos Cobián, Francisco de Caro, Lucio Demare, and Horacio Salgán are the individuals involved in this project. In 1987, the Academia Porteña del Lunfardo from Buenos Aires took place.Scholarly Google Ads

It is Sonia Ursini. The survival of an artist in the span of time is the subject of Horacio Salgán. Corregidor, Buenos Aires, Argentina, 1993).Scholarly Google Ads “How to Play Bebop,” written by David Baker. 1–3 volumes. Alfred Publishing Co., Van Nuys, California, 1987 Publisher.Scholarly Google Ads

Jazz improvisation performed by David Baker. 1983, published by Alfred Publishing Company in Van Nuys, California.Scholarly Google Ads Published by Advance Music in Rottenburg in 1994, Inside Improvisation Series Volumes 1–7 was written by Jerry Bergonzi.Scholarly Google Ads

The authors of the study are Jerry Coker, James Casale, Gary Campbell, and Jerry Greene. The patterns used in jazz. 1970 in Miami, Florida, by Studio P/R.Scholarly Google Ads

By triji

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